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Haven’t done an Iconic Design post in a while, and I’m sad to be compelled to do so upon learning that Ferdinand Porsche died today.

Whether you feel the Porsche design (particularly the 911) signifies all that is right with automotive design, or a feeble attempt made by middle-aged men to recapture something lost (or both/in-between), it undeniably stands the test of time, and illustrates Mr. Porsche’s mantra:

“Design must be functional and the functionality must be visually implemented without gags that need to be explained.”

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The release of the iPad is bringing to the fore a topic that is near and dear to me, and one that I believe will be at the center of design thinking, marketing, etc., discussion for the foreseeable future.

Essentially, some are threatened by the iPad’s “closed” system. The most vocal seems to be Cory Doctorow. In his piece, “Why I won’t buy an iPad (and think you shouldn’t, either),” Mr. Doctorow puts forth the idea that the iPad represents a closed system, and therefore is a “gadget” that stifles innovation, etc.

With respect to Mr. Doctorow (who I do indeed respect immensely), I feel he’s dead wrong here. As someone who at 14 wrote my first piece of software on a Commodore 64 (it was a program that attempted to teach my 6 year-old brother some basic math aptitude by rewarding him with a piece of a picture every time he got the arithmetic problem correct; get ten right and you’ve “built” a race car), and as someone who now likes few things more than devoting an hour or so every other night to teaching myself Ruby on Rails, and as someone who’s been instrumental in the development of two successful iPhone apps (here and here), I just don’t understand his thought process.

The iPad is a delivery device, and, as such, relies on creative types to develop the content to justify its existence. Developing this content — books, movies, tv shows, apps of all stripes — and having an elegant distribution channel and device for our users to consume and enjoy our creations represents a massive win for the creative class.

Did developing not only this device but the distribution channel require Apple to make some decisions that were not informed by “open source” wisdom of the crowds? Absolutely. And, thank God.

The “wisdom of the crowd” could no more design the iPad nor the delivery mechanism (i.e. the App store) than “they” could design any other elegant system.

Why people have not yet come to the realization that wisdom of the crowd/crowdsourcing, etc. is simply a variant of design by committee (taken to a massive extreme) is beyond me.

This is not to say that there is no value to be had from crowdsourcing, etc. There is. What people seem to be neglecting is that these crowds tend to lack experts, or that the sheer volume of the crowd often mutes the experts.

Below is a quick little graphic I created to show the development:

As the Cluetrain famously taught us, “Markets are conversations,” and in a pre-industrial society that’s all we had.

Conversations were muted entirely during the industrial era; Henry Ford: “You can have any color Model T you want, so long as it’s black.”

Conversations were inauthentic during the Modern era; companies attempted to manipulate us into believing we had choice when we didn’t, etc.

The Internet — a medium for conversation and storytelling — allowed us to reclaim our voice, and thus, our choice. Amazon rankings representing the earliest and most cogent example of how “civic sharing” destroyed the Modern conceit of brands über-alles, and began our move towards “wisdom of the crowd” fascination.

We’re in an interstitial period now where we realizing that the wisdom of the crowd alone isn’t working. The recent kerfuffle over negative Amazon reviews for Michael Lewis’ new book, based not on the content of the book, but rather its lack of availability as an e-book, represents an example of this failure. The crowd wasn’t wrong exactly, but rather the current system did not allow the crowd to communicate their collective voice effectively.

What is required now is more filters and crowd leaders. Taking a cue from social entrepreneurship, “teams of teams” must emerge that allow for better organization of the crowd. Again, this requires people with real expertise to marshal the voices.

What is required is that someone with a point of view and knowledge make decisions. This is what the iPad represents. Decisions were made. Cory Doctorow and others were left out of this decision making process, and they don’t like it.

I personally am delighted that I can read Mr. Doctorow’s work on my iPad; I’ll read more of his work more enjoyably because of it. However, I’m also very glad that Mr. Jobs (and his team) designed the iPad and not a collection of Mr. Doctorows.

I know precisely what would have been developed by the “open source” community. It would have been a watered-down version that attempted to please everyone.

I refer to this dynamic as the Coder/Manager Dilemma. Essentially, without a strong manager the coders will water down an idea and leave the manager no economic choice but to ship a product that is less than what had been envisioned. Mr. Jobs is one of the few that seems to combat this (The Kindle is an example of the coder/manager dilemma writ large).

This post
(via Daring Fireball) sums up the need for expertise:

…open source has nothing to teach literature or indeed any artistic creation, since talent doesn’t scale as you give more and more developers check-in access to the version-control system set up for your novel. It further explains why one’s inability to hack an iPad means precisely nothing. Nobody needs to program an iPad to enjoy using it, except those who have no capacity for enjoyment other than programming and complaining about same.

This was the weekend those of us with high standards lost their remaining residue of patience for ideologues who hyperbolize about open systems without actually creating something people want to use.

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I mentioned Saul Bass in a post I wrote over the weekend on design. (And I’ve referenced him before.)

I was, therefore, delighted to learn of this Saul Bass-inspired title sequence for Lost (I learned of it from the always fantastic Pop Candy):

The music, by the way, is Buddy Rich’s “Machine.”

As a point of comparison, here’s Bass’ credits for Anatomy of a Murder (music by Duke Ellington):

Part of being iconic means never looking dated.

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Last night I was so struck by the design of my Rod Lavers, I took a picture of them, and wrote about how I feel they’re an example of iconic design.

Well, the way my particular brand of ADD/OCD/ROTFLMAO works is that I’m now fixated on this idea, and am seeing (what I consider) iconic design all around me. Since what is mostly around me is my office (well, what’s mostly around me is an airplane/airport…and don’t think I’m not already contemplating how to weave those iconic designs into a future post), I took a couple pictures of what I’ve chosen to surround myself with:

Eames Lounge Chair and Ottoman

This chair is indisputably the best example of mid-century design. Charles and Ray Eames (it’s pronounced “aims,” by the way, like Ames Iowa or Willie Aames…you know from Eight is Enough, Chachi In Charge, etc.) just sort of changed everything when it comes to design.

I love the fact that the first one was made for that titan of style, Billy Wilder.

I further love that this is how Charles Eames described his goal for the chair: “a special refuge from the strains of modern living.”

There are people far more qualified than I to speak on them, but I can’t resist embedding the following little video as they use Miles’ “So What” as the bed music:


Find more videos like this on Global MediaCommunity

Le Corbusier: Basculant Chair LC1

I sort of have a thing for chairs, and just beside the Eames chair are these:

Charles Le Corbusier has had a massive impact on our world via his architecture and city planning.

My mind is calmed by his description of the houses that he designed as “[machines] for living in.” (Another great Le Corbusier quote: “Chairs are architecture, sofas are bourgeois.”)

If you’ve read The Da Vinci Code (and, I guess, who hasn’t), you’ll appreciate the fact that Le Corbusier applied things like the “golden ratio” and Fibonacci numbers to his design work.

A note on why these icons of style are in my office, and not my house. My wonderful wife, who is far more evolved than I, is a vegetarian. While it’s hard (and sad) to imagine that I had a life before my wife came into it, I did. It was during this time that the cowhide chairs were purchased.

Understandably, they weren’t my wife’s favorite piece of furniture, and it’s a minor miracle that she was willing to overlook this and marry me any way. What constitutes “overlooking,” however, is not looking at them at all (except for when she comes to visit me in my office), and, hence their banishment to my office. (Secretly, I’m OK with this. It makes Marci happy, and it reduces the possibility that my young children will use them as a canvas for one of their creations. Shhh.)

As an aside, while this iconic design thing appears to be a new theme here on the blog. I’ve sort of written about it before:

Here’s a post that talks about the title/poster art of the great Saul Bass.

And, recently, I wrote about (and got some great comments on) the nexus of cover design and music.

I’m going to add the design category to these posts as well.

Do let me know what you think are iconic designs, and if you want to lounge/sit, come on by the office.

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Spring having fully sprung here in New Orleans, and it being a non-teaching day for me, I pulled out the Rod Lavers from the back of the closet where they’ve been hibernating since the Fall.

I’ve been wearing Rod Lavers for as long as I can remember (there was an unfortunate Air Jordan period in the early 80s). I loved them as a kid, and I love them even more as an adult.

Adidas introduced them in 1970, and hasn’t fooled with them much (I hear they’re going to do some slight redesign at some point soon; I’m hoping it won’t be much). Why would they; they’re perfect.

I kicked them off upon returning from work, and, looking at them there on the floor, I just sort of got captivated by their timeless, perfect design (yes, I’m a freak). So, I took a picture (didn’t “pose” them; didn’t need to), and wrote a blog.

I think I may blog about other “things” that I think can be described as design icons.

I’d be curious what you think of as icons of design.

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