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I love it when products/companies/individuals impliment “small” changes that signify something far greater.

These “incremental” changes or innovations can be so slight as to be nearly subliminal to the customer, but the impact these changes can have is anything but small.

The most recent example of small change having a disproportionately large effect that I’ve noticed is Audi’s headlights.

I’ve never paid much attention to Audi as a car manufacturer. As is so often the case with durable good type products, the feelings you establish (good or bad) in your early experiences with products tend to inform your life-long opinion of them. This is why brands try so hard to capture the loyalty of the 18-24 year-old male; they know if they get them at that stage in their life, they’ll have them forever. I had a bad experience with an Audi back when I was in college, and, thus, embargoed the company as a possible choice for me since then.

Until now.

It wasn’t some car review that made me reconsider the company. Nor was it word of mouth (either from an actual conversation or some social media variant).

Rather, it was this:

The line of LED lights that Audi has introduced (I don’t know how recently) into their headlights just pops out. For me, this “small” detail completely differentiates the Audi from other cars of its ilk (BMW, Mercedes, Lexus) that, truth be told, otherwise really do sort of look all alike.

What keeps this detail from being “small” is that it represents something larger. In literary theory, you refer to this as “synecdoche” (a part representing the whole; e.g. Blake’s opening line of “The Tyger”: “Tyger! Tyger! burning bright/”).

The LED lights in these headlights represents something much larger in my mind: adherence to quality, innovation, style, etc. This detail has made me completely rethink Audi.

As another example, Apple is, of course, masterful at this. Think of what happens on your iPhone if you tap the camera icon on the lock screen rather than slide it upwards. The entire screen bounces up a bit — subtly and stylishly showing you precisely what you need to do in order to launch the camera app from the lock screen.

Too often, we feel we must make wholesale change in our products, services, (selves), etc. In reality, a slight change that is illustrative of something deeper going on below the surface tends to have a more profound impact.

“Small” change has the power to absolutely surprise and delight users. A customer may not comment on these details, but — in aggregate — they register and accumulate powerfully in their mind. The overall outcome is tremendous loyalty.

Tom Waits “Small Change”:

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I spend more time than I’d like in hotel rooms, and while most have wifi access, often the wifi signal is weak; I’m thus forced to tether myself to some four-foot Ethernet cable. Also, between LaLa and Pandora, I have most of my music in the cloud, so the set up I want — one where I can stream said music to some speakers connected to AirportExpress — really does require an in-room network.

Apple represents this feature as one of the big selling points of the AirportExpress. However, unlike most Apple developed functionality, setting up an in-room network doesn’t “just work.” It’s hard to really blame Apple on this. I’m certain that if the other items along the critical path were Apple made it would just work. Alas.

Just because it’s not exactly plug and play, doesn’t mean it can’t be done. Unfortunately, the process (based upon my research) isn’t well documented.

Here’s the document:

1. Start by doing a hard reset on your AirportExpress. Do this by pushing and holding the reset button in while plugging the AE into the wall. Keep holding it until the yellow light blinks fast (about 30 seconds).

2. Plug the Ethernet cable into your laptop. Pay for whatever jive ass fee you need to in order to get online.

3. Unplug the Ethernet from the laptop, and plug it into the AE.

4. Open Airport Utility. It will find your AE (it’ll be identified by a string of letters and numbers). Go through the process to name the AE and give it password protection.

5. Click the “manual” set up tab. Then – at the top – click the Internet tab.

6. Select the following: Connect using: “Ethernet”; Configure IPv4 to “Using DHCP”; Here’s the key: Set Connection Sharing to “Off (Bridge Mode).”

Number 6, above, and really the bolded section is the vital part.

I hope this helps some of you road warriors.

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Woz in the Telegraph.

Posted by email from George’s posterous

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Let’s be blunt: logos are hard. Everyone has an opinion on what defines a great logo, and, typically, no one defines greatness the same way. Graphic designers are hired, and samples are created and distributed. Everyone looks for that “aha” moment; the logo that jumps out and says, “I embody everything this business stands for.” Rarely does that aha moment come, and eventually a sort of fatigue sets in (“I could live with that one”; “I frankly can’t tell the difference between these two”), and a logo no one loves, but few hate is settled upon.

Other times, the process is less structured. For instance, the Newbury Comics logo (and this may be apocryphal) was created by founder, Mike Dreese’s, young daughter. No committee here, and it’s certainly served the company well over the years.

Well, I’d guess that the exact opposite of the Newbury process took place to create the new Wal-Mart logo. I can only imagine the amount of time and money that was spent to create this logo:

Then first thing you notice is that it’s no longer Wal [hyphen] Mart. Now Walmart is all one word (no mixed cases, either). I suppose that is to make it appear “friendlier”; sort of like a first name. The second thing you see is the huge asterisk at the end. I’d guess the designer was going for some kind of explosion of radiant light type deal. To me it just looks like a huge asterisk of the type you’d use to signify that there is more information in a footnote.

To see the progression that got Wal-Mart…er…Walmart to this place, here is the history of their logo:

I personally like the first one (1962-1964).

So…Logos are hard. Logos are important. But, my experience is that the company will sort of define the logo. No company is great because they have a great logo, and no company fails because their logo sucks. Additionally, as is seen from Walmart’s “development” of their logo, logos change. Need more proof? Here’s Apple’s original logo:

So, don’t spend too much time or money on developing a logo. Create something you can live with, and go out and build a great company.

[Thanks to Daring Fireball for the inspiration and links.]

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